Irene Kampen: 

Life without Owen

Irene Kampen’s divorce led not only to a new career, but a popular TV series starring another recent divorcee, Lucille Ball. 

Kampen and her husband, Owen, moved to Ridgefield in 1954 and almost immediately, their 15-year marriage fell apart. 

“I was brought up to believe that if you cooked, dusted and baked blueberry muffins for your husband, you would both live happily ever after,” Kampen said. “Well, I dusted, I baked and one day I looked around our house, high on a Ridgefield hill, and ‘George’ was gone. 

“Now the advice I give to all young brides is ‘Don’t dust! Light a lot of candles. They’re much more romantic.”

Forced to support herself after the divorce, she was soon exhausted commuting to work at her father’s New York City flower shop, and turned to writing. A few years later, she produced the light-hearted “Life Without George,” published by Doubleday in 1961, based on her new life as a single mom. The book became the inspiration for The Lucy Show, a comedy about a divorced woman starring Miss Ball, who had recently divorced Desi Arnaz. 

Kampen and her then 17-year-old daughter Christine used to watch the show every Monday night. “It’s our lives we’re seeing,” Kampen told Associated Press. “They’ve changed specific incidents, but the characters are recognizable and so are the situations.”

Many changes were made from book to sit-com script, including the elimination of Kampen’s two cats — “Cats are untrainable and impossible to use in a show filmed before a live audience as is ‘The Lucy Show,’ ” explained AP TV-radio writer Cynthia Lowry.

“But,” added Kampen, “they’ve left the house pretty much the way it was — they even have the location right, only instead of Ridgefield and Danbury, they call the towns Ridgebury and Danfield.”

Ball won two Emmy Awards during the show's seven-year run.

Although she wanted to, Kampen never did get to meet Lucille Ball. She probably did meet Vivian Vance, who played Ethel Mertz on both I Love Lucy and The Lucy Show — Vance lived on Route 116 in nearby North Salem.

Kampen went on to write 10 humorous novels, often based on her own experiences, with such titles as “Here Comes the Bride, There Goes the Mother” (based on the 1966 wedding of her daughter, Christine, to Ridgefielder Stephen Guthrie), “Fear Without Childbirth,” “Due to A Lack of Interest, Tomorrow Has Been Cancelled,” and “Nobody Calls at This Hour Just to Say Hello.” 

Irene Trepel Kampen was born in Brooklyn, N.Y., in 1922 — her father, Jack, who later lived in Ridgefield, owned a flower shop in Rockefeller Center, was an amateur magician, and was president of the American Society of Magicians for 12 years. Her mother Mary co-starred in Trepel’s magic shows, including on USO tours in World War II.

Kampen attended the University of Wisconsin where she was editor of the campus humor magazine and graduated in 1943. She worked for a while at The New York Journal-American and after her marriage, moved to brand-new Levittown, Long Island, where she worked for the local weekly newspaper as a reporter and gossip columnist.

Living in Ridgefield for more than 30 years, Kampen had homes on Stonecrest Road, Lookout Drive, and finally Rockwell Road. She was active in the Women’s Town Club and the Ridgefield Woman's Club, helped with Red Cross fund drives, and was a frequent luncheon speaker

Soon after her divorce, she began writing pieces for The Ridgefield Press, including a column  under the pseudonym, H. Loomis Fenstermacher. 

“I poked fun at local subjects such as the Southern New England Telephone Company, CL&P and the Ridgefield police department,” she told an interviewer about her column. “I thought the column was funny, my mother thought it was funny, and the publisher, Karl Nash, thought it was funny. However, the people I wrote about did not think I was funny, and I was let go.”

So, instead of the column, she sat down and wrote “Life without George.”

The way to become a writer, she said years later, was: “Get divorced. And also, if you want to write books, get fired.”

Kampen enjoyed pulling off stunts, as well. One time, to draw attention to how long it took to get a walk light on Main Street, she set up a typing stand with typewriter on the sidewalk by town hall  to suggest she had enough time to work on a novel while waiting for the walk light.

Irene Kampen moved to California in 1988 and died 10 years later at the age of 75.

How did Owen Kampen feel about becoming “George” to millions of readers and viewers? In a 1961 letter to The Press, Owen, a commercial artist who did many pulp fiction covers and taught at Famous Artists School, said he had picked up a copy of his ex-wife’s book soon after it came out and began reading it with trepidation. 

“There is nothing funny about divorce, but Irene’s book is; from the flyleaf on, I smiled and finally laughed. In retrospect, it’s a little rewarding to know you had some part in bringing a long-stilled and genuine talent to the fore, for all to enjoy.”

And if that praise from an ex-husband wasn’t surprising enough, consider who selected Kampen’s book as the model for Ball’s new show: The head of Desilu Productions, Desi Arnaz.

Robert Fawcett: 

An Illustrator’s Illustrator

Throughout much of his career, Robert Fawcett was known as an “illustrator’s illustrator.” He did paintings for virtually every magazine of note in the country, illustrated books, and wrote about his craft — his book “On the Art of Drawing” (1958) was popular for years. 

In 1947, he and 11 other artists founded the Famous Artists Schools, headquartered on Route 33 in Westport (later the home of Save the Children). 

Born near London, England, in 1903, Mr. Fawcett came to Winnipeg, Canada, in 1917 with his family. His father, an amateur artist, passed on a love of art in his son. At the age of 14, Mr. Fawcett quit school to work for an engraver, soon moved to New York and earned enough money working in art studios to spend two years studying art at London University. 

He returned to the States in 1924 and at first viewed commercial art with youthful scorn, working at it only to earn enough money to live while doing “serious” painting. But his commercial work began to sell and he eventually became one of the most popular magazine illustrators in the country. 

In later life, he viewed commercial painting with more respect. “Art is where you find it,” he said, “and the open, acceptant mind will as easily find it in a modest effort in some remote corner of a publication as in the collections now presented in the popular art galleries. 

“When a patronizing layman says, 'You are a commercial artist,' I am sorely tempted to say, ‘Yes — like Rembrandt!’” 

A critic once wrote that Fawcett “brought a superb sense of composition to his magazine and advertisement work.” He gained a great deal of notoriety for creating detailed illustrations to accompany a series of Sherlock Holmes stories in Collier’s magazine.

He was a member of the National Academy of Design and a leading figure in the Society of Illustrators.

He and his wife Agnes came to Ridgefield around 1940. Over the years, he frequently participated in and commented on town affairs, often writing letters to the editors of The Ridgefield Press on politics, zoning, and the schools. 

He lived on Nod Hill Road until his death in 1967 at the age of 64. His former home is now part of Weir Farm National Historic Site.

In 2001, Mr. Fawcett became one of a half dozen Ridgefielders who have been commemorated on U.S. postage stamps. The 34-cent commemorative shows a picture of an old-time ice cutter and was used originally in a 1949 advertisement for Carrier Corporation refrigeration equipment.