Friday, February 24, 2017
Artists in Ridgefield have tended to focus on their art and avoid the political limelight. Not so with Simon Greco, who spoke at many meetings, penned many letters to the editors and challenged laws, budgets, schools and other matters.
However, though even The New York Times covered his feisty ways, Greco was much better known nationally for his art, not his complaints.
“Simon Greco was an extraordinary artist,” said art historian Terence E. Hanley. “His work is mesmerizing.”
A native of Italy, Simon Greco was born in 1917 to an Italian-American father and an Italian mother. The family came to the United States in 1921 and settled in St. Louis where his father
“Almost entirely self-educated, Greco is widely informed in such diverse arenas as philosophy, religious history, literature, and music,” said a 1952 profile of him in the Bridgeport Sunday Post.
By the 1940s, Greco had moved to New York to do commercial art as well as his own work. He was best known for his “magic realism” paintings, a style that was popular in the mid-20th Century, and was considered an expert at it. He became well known for two series he illustrated for Life magazine, The World We Live In in 1953 and The Epic of Man in 1956. He also painted many covers for magazines during the 1950s and 60s.
Greco’s moving to Hayes Lane in 1949 helped inspire a second direction in his art. “Since moving to Ridgefield, my thoughts have turned more and more to the manifestations of nature with which we are surrounded, and with the problem of extending the range of ideas and thoughts which
He began painting non-objective works — what some consider abstract expressionism — while continuing to produced the “magic realism” pieces. And it was the latter that were more popular. His works are in the Smithsonian Institution, the American Museum of Natural History, the U.S. Naval Academy, and other collections.
In Ridgefield, he became involved in the community, and was a frequent voice at town meetings and in letters to the newspaper. A Democrat, he tried in 1963 to vote in a Republican primary here in an attempt to challenge what he considered a flaw in a state law. He was unsuccessful, but his effort was covered by The Times.
He was a voice of conservatism when it came to schools, going so far as to maintain that libraries in elementary schools were wasteful. He felt that the proposed Ridgebury School should not be a spread-out affair, but an efficient, two-story, box-like building with many fewer toilets than planned. “I think it is absurd to have 12 rooms with separate toilets — if the children are so retarded beyond kindergarten that they require such toilets, then they should be in special schools,” he wrote in 1960. “We should not waste tax money on extravagant buildings. We should spend it instead where it will do the most good, that is, in securing the best teachers, books and educational materials available.”
Perhaps Greco felt a closeness to teachers and books. He himself taught at at various institutions in Fairfield County and, in 1968, he wrote the book, “The Art of Perspective Drawing,” for the well-known Grumbacher series.
Nonetheless, Greco criticized the way art and the arts in general were taught. Speaking at a gathering with the Connecticut Commission on the Arts in 1964, Greco was quoted as saying, “With
In 1964, Greco moved to North Salem Road and a few years later, relocated to Fairfield after joining the staff of the University of Bridgeport. He later lived in Westborough, Mass., where he died in 2005 at the age of 87.
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